The New York Times stated that – ‘With Bora Chung as Our Guide, We Walk Ourselves Into the Trap’ and Los Angeles Times said, ‘ In a Korean author’s U.S. The grotesque language is difficult to write in because of how easily over-the-top it can become, but Chung reins herself in and produces something that could easily be described as horror. Korean writing can be challenging to master, so a competent translator is highly recommended. Women, in the end, are the cursed rabbits, doomed to procreate. The lady is subjected to shaming, abuse, and an increasingly bizarre sequence of matchmaking efforts. She is told coldly at the hospital that she now requires a male companion for the sake of her fetus. It climaxes in “The Embodiment” when a woman becomes inexplicably pregnant without engaging in sexual activity. Going further inside the book, the ‘rabbit’ serves as a foreboding metaphor for another subject that runs throughout the novel, beginning with the head in the commode calling out for its mother: the social expectation that women marry and produce children. The book has received favorable feedback for its uniqueness, vivid imagery, and ability to keep the reader interested and terrified. The novel’s unusual structure, which includes a creepy and unsettling ambiance, is one of the most noteworthy features. As the riddle of the curse develops, the story twists and turns it keeps the reader on the edge of their seat. The book, renowned for its eerie and unsettling atmosphere, examines themes of dread, grief, and trauma. “Cursed Bunny” contains some exquisite tales that look into this. This is comparable to society compression caused by social and economic inequity. It drowns down to the inability to grasp or comprehend when one cannot manage it.

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